My painting reflect an important time in my life; one year of study at the Academy of Fine Arts, Rome and the University of Rome. The development of perspective during the Renaissance in Italy, particularly the work of the Quattrocento artists, Brunelleschi and Masaccio has always interested me. I find that the imperfections of the perspective in early Renaissance work compelling because it reflects the humanity in the work, the touch of the hand as opposed to the rigid formality of linear perspective that can drain the life from a painting. My paintings also reflect my interest in the geometry I see in indigenous architecture, particularly in small villages in Mexico and Italy.
Since that early experience in Rome, four decades ago, I have been immersed in contemporary art. Only in the past few years have I found a way to merge both interests into my paintings. By eliminating most natural forms, nature and the human figure, I have tried to humanize architecture and allow color and perspective to create dynamic compositions. I believe they have a life of their own.